estúdio 10
Bibliografia sobre Fotografia
Temos uma vasta gama de serviços de fotografia e vídeo, para famílias e empresas.
Ellis, John. ‘‘Photography/Pornography/Art/Pornography.’’ Society for Education in Film and Television, 21, no. 1 (1980).
Fogle, Douglas, ed. The Last Picture Show: Artists Using Photography 1960–1982. Minneapolis: Walker Art Center, 2003.
Ford, Colin, ed. The Story of Popular Photography. North Pomfret, Vermont: Trafalgar Square Publishing, 1989.
Foresta, Merry A. and William F. Strapp. Irving Penn: Master Images. Washington, DC: Smithsonian Institution Press, 1990.
Foster, Hal. Compulsive Beauty. Cambridge, MA, and London: MIT Press, 1993.
Foucault, Michel. Histoire de la sexualite´; as The History of Sexuality, Volume I: An Introduction. Translated by Robert Hurley. New York: Pantheon, 1978.
French, Blair, ed. Photo Files: An Australian Photography Reader. Sydney: Power Publications and Australian Centre for Photography, 1999.
Galassi, Peter. Before Photography. New York: Museum of Modern Art, 1981.
Gale, Matthew. Dada and Surrealism. London: Phaidon, 1997.
Garner, Philippe, and David Alan Mellor. Cecil Beaton. London: Jonathan Cape, 1994.
Gellatly, Kelly. Re-Take: Contemporary Aboriginal and Torres Strait Islander Photography. Canberra: National Gallery of Australia, 1998.
Goodman, Nelson. Languages of Art. Cambridge, MA: Hackett, 1976.
Gracyk, Theodore A. ‘‘Pornography as Representation: Aesthetic Considerations.’’ Journal of Aesthetic Education, 21, no. 4 (1987).
Graves, Carson. The Elements of Black and White Printing. Boston, MA: Focal Press, 2000.
Greenough, Sarah, et. al. Modern Art and America: Alfred Stieglitz and His New York Galleries. Washington, DC: National Gallery of Art, and Boston: Little, Brown and Company, 2001.
Grundberg, Andy, and Kathleen McCarthy Gauss. Photography and Art: Interactions Since 1946. NewYork: Abbeville Press, 1987.
Hedgecoe, John. The Book of Photography. New York: Alfred A. Knopf, 1990.
Herbert, Robert L. Impressionism: Art, Leisure, and Parisian Society. New Haven, CT, and London: Yale University Press, 1988.
Hirsch, Robert. Exploring Color Photography. 3rd ed. Dubuque, Iowa: Brown and Benchmark, 1997.
Hirsch, Robert. Photographic Possibilities: The Expressive Use of Ideas, Materials, and Processes. Boston, MA: Focal Press, 1991.
Home, William Innes, and Catherine Johnson, eds. Stieglitz and the Photo Secession, 1902. London: Penguin Studio Books, 2002.
Homer, William Innes. Alfred Stieglitz and the Photo-Secession. Boston: Little, Brown and Company, New York Graphic Society, 1983.
Horst, Richard J. and Lothar Schirmer, eds. Horst: Sixty Years of Photography. New York: Universe Publishing, 1996.
Howard, Philip N., and Steve Jones, eds. Society Online: The Internet in Context. Thousand Oaks, California: Sage Press, 2004.
Hurlburt, Allen. Photo/Graphic Design: The Interaction of Design and Photography. New York: Watson-Guptill Publications, 1983.
James, Christopher. Alternative and Non-Silver Photographic Processes: Working Notes. Upper Saddle River, NJ: Delmar Publishers, 2000.
Kember, Suan. Virtual Anxiety: Photography, New Technologies and Subjectivity. Manchester, New York: University of Manchester Press, 1998.
Kenny, Lorraine. ‘‘On Artists’ Book Publishing.’’ Afterimage, vol. 12 (March 1985).
Kirsten, Lincoln and Beaumont Newhall. The Photographs of Henri Cartier-Bresson. New York: Museum of Modern Art, 1947.
Kismaric, Suzan. Fashioning Fiction in Photography Since 1990. New York: Museum of Modern Art, 2004.
Klima, Stefan. Artists Books: A Critical Survey of the Literature. New York: Granary Books, 1998.
Knight, Diana, ed. Critical Essays on Roland Barthes. New York: G.K. Hall, 2000.
Koch, Polly, ed. Sugimoto. Houston and Tokyo: Contemporary Arts Museum and Hara Museum of Contemporary Art, 1996.
Krauss, Rosalind E. Earthly Bodies. New York: Marlborough Gallery, 1980.
Langford, Michael. Basic Photography. 7th ed., Boston: Focal Press, 2000.
Lemagny, Jean-Claude. Atget: the Pioneer. Munich, New York, London: Prestel, 2000.
Lewinski, Jorge. The Naked and the Nude: A History of the Nude in Photography. New York: Harmony Books, 1987.
Lister, Martin, ed. The Photographic Image in Digital Culture. London: Routledge, 1995.
Lister, Martin. The Photographic Image in Digital Culture. London: Routledge, 1998.
London, Barbara, and John Upton. Photography. 7th ed. Upper Saddle River, New Jersey: Prentice Hall, 1997.
Lothrop, Jr., Eaton S. A Century of Cameras: From the Collection of the International Museum of Photography at George Eastman House. New York: Morgan & Morgan, Inc./Dobbs Ferry, 1973.
Lowe, Sue Davidson. Stieglitz: A Memoir/Biography. New York: Farrar, Straus, Giroux, 1983.
Lucie-Smith, Edward. Sexuality in Western Art. London: Thames and Hudson, 1991.
Maddon, Ben. ‘‘Nude in a Social Landscape.’’ In Nude: Photographs 1850–1980. New York: Harper and Row, 1980.
Maddow, Ben. Faces: A Narrative History of the Portrait in Photography. Boston: Little Brown & Co., 1977.
Manovich, Lev. The Language of New Media. Cambridge, Massachusetts: MIT Press, 2001.
Martin, Richard. Fashion and Surrealism. New York: Rizzoli International Publications, Inc., 1987.
McQuire, Scott. Visions of Modernity: Representation, Memory, Time and Space in the Age of the Camera. London: SAGE Publications, 1998.
Mendelshohn, Harvey L., trans. Bauhaus Photography. Cambridge, MA: Massachusetts Institute of Technology Press, 1985.
Metzner, Sheila. Form and Fashion. Santa Fe, NM: Arena Editions, 2001.
Meyer, Ursula. Conceptual Art. New York: E.P. Dutton and Co., 1972.
Michael, Linda. Photography is Dead! Long Live Photography! Sydney: Museum of Contemporary Art, 1996.
Mitchell, William J. The Reconfigured Eye: Visual Truth in the Post-Photographic Era. Cambridge, Massachusetts: MIT Press, 1992.
Moore, Catriona. Indecent Exposures: Twenty Years of Australian Feminist Photography. Sydney: Allen and Unwin; Power Institute of Fine Arts, 1994.
Morgan, Robert C. Conceptual Art: An American Perspective. Jefferson, North Carolina: McFarland and Co., 1994.
Morris Hambourg, Maria. ‘‘Photography Between the Wars.’’ In Metropolitan Museum of Art Bulletin, New York; 1988.
Neff, Terry Ann R., ed. Photography’s Multiple Roles: Art, Document, Market, Science. New York: The Museum of Contemporary Photography in association with Distributed Art Publishers, Inc., 1998.
Nettles, Bea. Breaking the Rules: A Photo Media Cookbook. Rochester, NY: Inky Press Productions, 1992.
