estúdio 10
Bibliografia sobre Fotografia 2
Temos uma vasta gama de serviços de fotografia e vídeo, para famílias e empresas.
Neubauer, Hendrik. Black Star. 60 Years of Photojournalism. Koln, Germany: Konemann, 1997.
New York: Dover Publications, 1978. Green, Jonathan, ed. Camera Work: A Critical Anthology. New York: Aperture, 1973.
Nochlin, Linda. Realism: Style and Civilization. NY: Penguin Books, 1971.
Olley, Michelle. Blonde: Masterpieces of Erotic Photography. New York: Thunder’s Mouth Press, 2002.
Olley, Michelle. Homme: Masterpieces of Erotic Photography. London: Carlton, 1999.
Orsenna, Erik, and Henri Cartier-Bresson. Henri Cartier-Bresson: City and Landscapes. Boston: Bulfinch Press, Little Brown and Co., 2001.
Orvell, Miles. American Photography: Oxford History of Art. New York: Oxford University Press, 2003.
Pearson, Jennifer H. ‘‘Erotic and Pornographic Photography Selected Bibliography.’’ History of Photography, 18, (1994).
Penn, Irving. Worlds in a Small Room. New York: Viking Press, 1980.
Penrose, Roland. Man Ray. London: Thames and Hudson, 1989.
Photography & Performance. Exh. cat. Boston: Photography Resource Center, 1989.
Photography as Performance: Message through Object and Picture. Exh. cat. London: Photographer’s Gallery, 1986.
Pirenne, M.H. Optics, Painting, and Photography. Cambridge: Cambridge University Press, 1970.
Rabate´ , Jean-Michel, ed. Writing the Image after Roland Barthes. Philadelphia: University of Pennsylvania Press, 1997.
Rewald, John. The History of Impressionism. New York: Museum of Modern Art, 1946; 4th rev. ed. 1973.
Ritchin, Fred. In Our Own Image: The Coming Revolution in Photography. Millerlon, New York: Aperture, 1990.
Robinson, Henry Peach. Pictorial Effect in Photography. London 1869; Pawlet, Vermont: Helios, 1971.
Rolo, Jane, and Ian Hunt, eds. Book Works: A Partial History and Sourcebook. London: Book Works, 1996.
Roth, Moira. The Amazing Decade: Women and Performance Art in America, 1970–1980. Los Angeles: Astro Artz, 1983.
Rubin, Susan Goldman. Margaret Bourke-White: Her Pictures Were Her Life. New York: Harry N. Abrams, 1999.
Sayre, Henry. The Object of Performance: The American Avant-Garde Since 1970. Chicago: University of Chicago Press, 1989.
Scheffler, Israel. In Praise of the Cognitive Emotions. New York: Routledge, 1991.
Schneider, Eckhard, ed. Hiroshi Sugimoto: Architecture of Time. Bregenz, Austria: Kunsthaus Bregenz, 2002.
Schneider, Rebecca. The Explicit Body in Performance. New York and London: Routledge, 1997.
Schuneman, R. Smith, ed. Photographic Communication. Principles, Problems and Challenges of Photojournalism. New York: Hastings House, 1972.
Seebohm, Caroline. The Man Who Was Vogue: The Life and Times of Conde´ Nast. New York: The Viking Press, 1982.
Shawcross, Nancy M. Roland Barthes on Photography: The Critical Tradition in Perspective. Gainesville: University Press of Florida, 1997.
Sobieszek, Robert. ‘‘Addressing the Erotic: Reflections on Nude Photography.’’ In Nude: Photographs 1850–1980. New York: Harper and Row, 1980.
Spence, Charles. Cecil Beaton: Stage and Film Designs. London: Academy; New York: St. Martin’s, 1975.
Stafford, Andy. Roland Barthes, Phenomenon and Myth: Na Intellectual Biography. Edinburgh: Edinburgh University Press, 1998.
Stein, Ralph. The Pin-Up from 1852 to Today. New York: Crescent Books, 1984.
Stone, Jim. Darkroom Dynamics: A Guide to Creative Darkroom Techniques. Boston, MA: Focal Press, 1979.
Sugimoto, Hiroshi, Francesco Bonami, Marco De Michelis, and John Yau. Sugimoto: Architecture. Chicago: Museum of Contemporary Art and New York: Distributed Art Publishers, 2003.
Sugimoto, Hiroshi. Hiroshi Sugimoto: Time Exposed. New York: Thames and Hudson, 1995.
Sullivan, Constance, ed. Nude: Photographs 1850–1980, New York: Harper and Row, 1980.
Sullivan, Constance. Women Photographers. New York: Harry N. Abrams, 1990.
Tausk, Peter. Photography in the 20th Century. London: Focal Press, 1980.
Trend, David. ‘‘At the Margins: Artists’ Books in the ‘80s.’’ Afterimage, vol. 13, no. 1 & 2 (1985).
Vickers, Hugo. Cecil Beaton: A Biography. New York: Donald I. Fine, Inc., 1985.
Von Amelunxen, Hubertus. Photography After Photography. Munich: G&B Arts, 1996.
Warschauer, Mark. Technology and Social Inclusion: Rethinking the Digital Divide. Cambridge, Mass: MIT Press, 2003.
Wells, Liz, ed. The Photography Reader. London: Routledge, 2003.
Westerbeck, Colin, ed. Irving Penn: A Career in Photography. New York: Bulfinch Press/Little, Brown and Company, 1997.
Wright, Lawrence. Perspective in Perspective. London: Routledge, 1983.
Yates, Steve, ed. Poetics of Space: A Critical Photographic Anthology. Albuquerque: University of New Mexico Press, 1995.
